Wednesday, 27 August 2025

Stanley's men of Lancashire for Flodden

This is a bit of a ramble so go get a cup of tea.

In fact a ramble it is not, it's a massive deep dive and I got lost down the rabbit hole a bit as I had lots of questions, I am unashamedly unapologetic and hope this is interesting. It has certainly helped me to understand the appearance of the English army at Flodden.

My creative output seems to be firmly staying on the Flodden theme for the moment. As with my deep dive into the Durham contingent at Flodden I've found it really immersive reading up on the context and historical background for this contingent from Lancashire.

The starting point by way of reverse engineering was in the reading I did for the Scots Highland command banner. This was captured by Sir William Molyneux and remembered as part of the funerary brass on his tomb. My interest was peaked and I had to learn more, what started as an intention to paint some knights ended up with a retinue with some interesting characters and footnotes along the way.

Molyneux was part of Sir Edward Stanley's contingent, he in turn was in the main Battle of the English army under the Earl of Surrey who placed him on his left, a positioning that would prove to be pivotal in the battle. The familial loyalty and service Stanley's tightly connected Lancashire men had would serve him very well by the day's end.

There's a lot of Stanleys so we'll start the historical context with the family tree of Sir Thomas Stanley, 1st Earl of Derby.  

Thomas Stanley 1st Earl of Derby, 1435-1504

1st marriage, Lady Eleanor Neville, (m1451, d 1472), their children were 

George Stanley, 9th Baron Strange 1460-1503
Edward Stanley, 1st Baron Monteagle 1460-1523
James Stanley, Bishop of Ely 1465-1515

2nd marriage, Lady Margaret Beaufort (m1472, d 1509)
her son was Henry Tudor

Thomas Stanley's timely commitment of his force at Bosworth turned the tide in favour of his son in law Henry Tudor. Thomas effectively became Kingmaker, an act that would have significant impact upon his family during and after his lifetime.

Lord Stanley presents Richard III's crown to Henry after the battle of Bosworth

Whilst initially brilliant for Henry, this act demonstrated the Stanleys could sit on the fence until they saw an advantageous position. The pragmatism made them powerful but also untrustworthy in the eyes of many nobles at the Tudor court, old hard line Yorkists and cautious Tudor commanders alike.

Thomas's eldest son George was heir apparent but died before him, leaving George's eldest son Thomas (1485-1521) to become the 2nd Earl of Derby.

There we have some key players for the Flodden campaign.

*  *  *  *  *

Sir Edward Stanley, mustered around 6000 men from his estates in Lancashire & Cheshire at Hornby and Lancaster marching as the temporary head of the family (the usual position of his nephew Lord Thomas Stanley, 2nd Earl of Derby was serving with Henry in the French campaign ), his men wearing the Stanley eagle claw livery badge, as Hall describes;

‘All Lancashire for the most part, The lusty Staney stout did lead, A flock of striplings strong of heart, Brought up from babes with beef and bread.’

These were joined on the march at Skipton by 2000 more sent by James Stanley the Bishop of Ely, who delegated command to his illegitimate son John Stanley. They carried with them the banner of St Audrey, patron saint of Ely (also throat complaints and chastity but we'll gloss over that)

Both of these Stanley contingents had a core of household men (a few hundred at most) wearing distinctive blue livery coats emblazoned with their eagle claw livery badges along with the three crowns of the Bishopric of Ely while the bulk of the remainder simply wore the livery badges, described in contemporary ballad as thus;

‘Every Bearne had on his breast brodered full fayre. A foot of the fairest fowle that ever flew on winge. With three crowns full cleare all of pure gold.’

This may be an amalgamation of Stanley livery badges or indeed both may have been worn together by household men as shown in this reconstruction.

Lancashire archer in blue Stanley livery coat

Stanley livery in the previous century was blue and white as stated in the household accounts for Thomas Stanley in the 1470-80's. There's also the Tawny and Green from their standard which may have been used for secondary items. This livery was also worn by household men during the wars of the roses though the transition to blue happens in the late fifteenth century.

By the early sixteenth century references increasingly mention blue alone and we also have a visual depiction of this in the 'Flodden window' (more on that below). This change is likely a matter of practicality and cost, coats in one colour were easier and cheaper to make. This livery would last well into the Tudor period, there is frequent mention of it up to as late as 1599. 

*  *  *  *  *

This then prompted a longstanding question I'd had regarding livery and the two armies raised for Henry's 1513 campaigns. I had the understanding that English armies were all supposed to have worn white coats with the St. George's cross on royal campaigns and not any other livery. Flodden, however was a little different and I shall briefly explore why. This is a self-indulgent side note but it's really aided my understanding of this campaign.

For both campaigns the English armies were raised by the long established system of indentures whereby 'Lords spiritual and temporal, knights, gentlemen or others which had tenants or were rulers of towns' contracted with the Crown to provide a fixed number of soldiers.

It's worth noting that in 1504 Henry VII issued a statute to control private liveries and badges in the wake of the Wars of the Roses as they were symbols of potentially overmighty subjects who could raise large numbers of liveried retainers. What he specifically banned was retaining in the unlawful sense, a practice known as 'livery and maintenance' the exchange of service in your masters livery for the notional protection of your master in local disputes. This practice greatly destabilised law and order as well as royal authority. 

Under these statutes the crown itself could issue livery - the king may clothe his army as he pleases. Noblemen were also still permitted to clothe their retainers in their own livery for legitimate service with royal approval. This practice was continued into Henry VIII's reign.

Thus under this system men arrayed for war could be raised by the crown or by magnates under contract and permission from the crown. The crown would pay men for daily service and 'conduct money' for the days travelling to the campaign.

When war threatened, local militias could also be raised from the shires to defend from invasion under the 'commissions of array' a short term draft of obligation with origins in the Anglo Saxon fyrd. In 1513 Queen Katherine as regent issued these to order local gentry and towns to muster 'all able men' for the defence of the realm. It's not clear how these men were paid for this campaign, if at all.

Henry VIII had many months and a full war chest to prepare for his invasion of France. This was an exercise as much about princely magnificence and puissance as it was about waging war. The troops were directly raised, paid and clothed by the crown and were liveried almost exclusively in coats of white and green, a fact that was remarked upon by foreign observers of his Army Royal. You can see the primary sources on this in this previous post.

The army raised for the Flodden campaign was not Henry's personal expedition but raised locally and hastily to repel James IV's invasion. Instead of full royal issue the majority of troops came through the retinues of the northern lords and from the commissions of array. 

The composition* and appearance of the English at Flodden was threefold;

  1. 1200 elite marines of the fleet and a further handful of troops raised by the crown were in green and white coats. 
  2. Indentured contract raised 8000 Stanley retainers from Lancashire and Cheshire about 5% in their blue coats and/or eagles claw livery badges and the rest with badges alone. Around 10'000 more retainers from Yorkshire, and a further 2000 or so from Durham, Northumberland, Cumberland and Westmoreland all may similarly have worn the livery coats for the household retainers** and /or badges of their masters for the remainder.
  3. The bulk of the remaining levies, (ascertained from the number not mentioned as raised by contract) possibly 4-5000 were raised under the commissions of array from the same areas and wore a simple St George cross on their clothing/ jacks / white coats possibly along with the livery badge of their town.
*numbers are approximate
** household men, paid directly by their master to serve them as retainers, in our terms, just those around the command and some more scattered among units to represent captains, musicians, std bearers.

In effect this army was a hybrid army of core troops raised by indenture whether to the crown or magnates were supported by bulk reinforcement from the militias and a disciplined stiffening from the fleet.

*  *  *  *  *

In total approx. 8000 soldiers were mustered from Stanley lands, just under a third of the English Army.

  • Sir Edward Stanley commanded 3500 Lancashire & Cheshire men on the left of the main battle. This included those of Sir William Molyneux whom I have chosen to depict.
  • Sir John Stanley commanded 2000 tenants of his father James Stanley, Bishop of Ely on the right of the main battle. They carried the Banner of St Audrey and (i consider) wore the three crowns of the Bishopric above the eagle claw badge.
  • Sir Edmund Howard commanded 1000 men from Cheshire and 500 from Lancashire on the right of the Vanguard. The men were unhappy at not being commanded by a Stanley and wavered under pressure when the Scots pike under Lords Home and Early Huntly made contact.
  • Sir Marmaduke Constable commanded around 1000 Lancashire men on the left of the vanguard.

At Flodden the English army was commanded by the ageing Thomas Howard, Earl of Surrey (1443-1524) who was seventy and had such frequent bouts of gout that he had to be carried in a carriage. According to some chroniclers Edward Stanley was snubbed by Surrey who placed him in a less prestigious position, on the left of the main battle, effectively side lining him from the main honours of battle.

This could be interpreted as a personal mistrust as Surrey was commander to Richard III at the Battle of Bosworth and suffered under the Stanleys last minute intervention. His penalty for supporting Richard at Bosworth was three and a half years in the Tower and the loss of his estates, i love this quote when asked by Henry VII why he supported Richard, he answered.....

'he was my crowned King and if parliamentary authority set the crown on a stock I will fight for that stock and as I fought for him, I will fight for you.'

The Howard family had every reason to remember the pragmatism of the Stanleys by withholding support until the last moment. At Flodden, Surrey wasn't going to risk giving Edward Stanley the opportunity to do the same. 

In the event, Surrey's strategic move to keep a potentially independent minded commander in the reserve to limit any chance of political manoeuvring would prove ironic as this positioning helped to secure glory for the English.

Stanley's opening position at Flodden

Arriving late to the battle and tired after an 11 hour march, seeing a body of Scots Highlanders under Lennox & Argyll yet to commit and able to turn the battle from their advantageous position on Pace Hill, Sir Edward Stanley sent a party to feint at their front whilst he formed the rest into three battalions  to approach from their rear. These were commanded by;

  • Sir William Molyneux of Sefton, Merseyside. 1481-1548
  • Sir Thomas Gerrard of Bryn nr Ashton in Mackerfiled, Lancashire 1488-1523
  • Sir Henry Kighley of Inskip nr Preston 1451-1526

 After their scramble up the steep slopes of Pace Hill

‘His folks could scarcely fast their feet, But forced on their hands and feet to creep. And some their boots left down below, That toes may take the better hold; Some from their feet the shoes did throw, Of true men thus I have heard told. The sweat down from their bodies ran, And hearts did hop in panting breast. At last the mountain top they wan’

Flodden hill with its steep gradient, this was not wooded at the time

The archers remained in dead ground and reached the top of the hill unnoticed by the Scots. Achieving complete surprise, with a shout as one, they loosed their arrows into the unprotected backs of the clansmen.

‘My  Lancashire  most  lively  wights, And  chosen  mates  of  Cheshire  strong, 
From  sounding  bow  your  feathered  flight,  Let  fiercely  fly  your  foes  among.’
 The  noise  then  made  the  mountains  ring, And  "  Stanley  stout !"  they  all  did  cry  ; 
Out  went  anon  the  grey  goose  wing . Against  the  Scots  did  flickering  fly. Then  showers  of  arrows  sharp  were  shot, They  rattling  ran  as  rank  as  hail, 
And  pierced  the  scalp  of  many  a  Scot,   No  shield  or  pavish  could  prevail.’

The arrow storm caused chaos and broke up the integrity of the Highland foot.

‘to avoid the sharp storm the Scots were constrained to break their array and fight one separate from another.’ 

When the archers, billmen and men at arms of Molyneux, Gerrard and Keighley laid in on the Scots right flank, the rout was total, the highland earls and chiefs were cut down;

‘doing all they could to stay their people from running away.’

The ballad I quote from above was written by two authors believed to be sponsored by Stanley in the years following Flodden and republished from the original manuscript three times after in the following two centuries. The original title was

"  Heare  is  the  famous  historie  or  songe,  called  Floodan  Field ;  in  it  shalbe  declare  how,  whyle  Kinge Henrie  the  Eight  was  in  France,  the  King  of  Scoots,  called  James,  the  fowerth  of  that  name,  invaded  the  realme  of England ;  and  how  he  was  incountred  with  all  at  a  place called  Branton,  on  Floodan  Hill,  by  the  Earl  of  Surry,  live- tenant-generall  for  the  kinge,  with  the  helpe  of  dyvers  lords and  knights  in  the  North  Countrie,  as  the  Lord  Dakers  of the  North,  the  Lord  Scrope  of  Bolton,  with  the  most  co- ragious  knight  Sir  Edward  Standley,  who  for  his  prowis and  valliantnes,  shewed  att  the  said  battell,  was  made  Lord Mount  Eagle,  as  the  sequel  declareth." 

This edition survived in the collection of Sir Walter Scott. It’s a mine of very detailed information, if you want to get lost in it there is a full copy of this and later editions / associated text with in depth analysis here.

It’s certainly helped to put context to this part of the battle and helped to pinpoint the characters I have taken inspiration from.


I should probably now talk about some wargames figures !

I began the thread with merely wanting to create a base of knights to represent Molyneux and the other knights, this ballooned further with the addition of some bill. The obvious key aspect to this action were the Lancashire archers so the retinue increased even further. I should probably have doubled the archers but my self control finally took action.

Molyneux personally captured two standards from the highlanders. I have chosen him to be the lead commander for this Lancashire contingent.

Sir William Molyneux, (1481-1548) knight banneret, of around 32 years old, made the journey north in command of 'a company of archers well arrayed' from his tenants in Sefton Lancashire (around 160-200 men). Molyneux was son in law to Edward Stanley by marriage and long friendship through living in his lands. 

Molyneux’ tomb lies in the Parish church of St Helen’s, it features a series of brass effigies of him (notably in older armour) his heraldic arms, his two wives (the first was Elizabeth Stanley), and images of the banners he captured though one is partially lost.


Line drawing of Molyneux funerary brass


detail of the captured Scots banner(s)

Sharing command of his archers were the aforementioned Gerrard and Keighley along with Henry Blundell of Little Crosby who would be killed in the battle. Interestingly Blundell was Molyneux' cousin by marriage.

Keighley, Molyneux, Gerrard

Blundell, unknown, Assheton

Knights led by Molyneux

The command are Perry Miniatures WOTR metals, a Steelfist dolly build and a Perry plastic foot knight, all straight from the box without conversion. At this time, lesser knights and moreover those perhaps unprepared for war relied upon older armour or simply did not have time, funds or inclination to get something contemporary.

Heraldic surcoats were also still present at this point and armour was in the stages of transition. Osprey’s Tudor Knight is worth reading on that subject. I took Assheton's heraldry from a depiction in stained glass, more on that below.

With some help from the Lead Adventure Forum I was able to find the heraldry Blundell and Gerrard.


The blackened armour was achieved by a series of washes over a gun-metal base coat with highlights on the edges.

Lancashire bill and men at arms led by Sirs Molyneux, Gerrard, Keighley and Assheton

The Bill are a mix of Steelfist Miniatures late medieval dollies and heads along with a few from Perry Miniatures WOTR plastics set. I have some in livery coats to represent the household men, others in light armour and Stanley badges for the other retainers, and a couple in simple armour and St George crosses to represent shire milita men added from the commissions of array. This principle was also applied to the archers.

To complete the group of six you can see I chose another Lancashire knight, Sir Richard Assheton of Middleton. This choice satisfyingly enabled me to link it to some further named characters, the Lancashire archers of 'the Flodden window.'

Lancashire archers led by Molyneux with Assheton in shared command

Assheton took around 200 'tall men' mostly longbowmen from his tenants and neighbours on the march to Flodden. In battle they served in Sir Edward Stanley's division. Assheton personally took the Scots standard bearer’s sword and captured the courtier, John Forman sergeant porter to James IV of Scotland, and Alexander Burnett Sheriff of Aberdeen. 

Upon return, Assheton commissioned a series of stained glass windows at St Leonards church, Middleton depicting himself and his wife, 17 captains of archers (household retainers) and the priest who blessed them before marching to the battle. 

The windows are therefore one of the oldest thankful war memorials in England, something I believe would not be done again until after WW1. There is a funerary brass of his Father but sadly not Richard though there is another Flodden link in the brass of his sister Anne Laurence whose husband John was killed at Flodden, likely within Richard’s retinue. 

I took the time to make an appointment to visit these back in 2021 and enjoyed full access to take the following photographs of the windows and read the background that had been recorded. I also left a bespoke figure by way of thanks to the vicar.


The 'Flodden Window' St Leonards Church, Middleton.

detail of the archer captains in their livery coats with longbows and sheaths of arrows, kneeling in prayer, each individually named.

The opportunity to see these closely had a profound impact, the likenesses were all individual and may well have been from life, I was face to face with ordinary yeomen archers from 500 years ago.

The archers are named

Henry Tayler
Richard Wyld
Hugh Chetham
James Gerrarde
John Pylkyngton
Phillipe Werburton
William Steele
John Scolefelde
William ….
James Taylier
Roger Blomeley
Crystofer Smythe
Henry Whitaker
Robart Prestwyche
Richard Bexwicke

It's not often you can practically name every figure in a unit.


The Longbows are a mix of Steelfist Miniatures Tudor dollies and Perry Miniatures WOTR plastics set with a few sculpted conversions added. There are also a couple of dollies from Pete's Flags which are part of a Flodden range that he's been working upon. Many thanks to Matt Bickley for helping me out when I unexpectedly ran out of arms !

These included conversions for most of the figures, here's a few photos prior to painting. Those using the Steelfist Tudor dollies were pretty easy and there's a couple of more involved conversions straight from the Perry plastics. 

I was struck by the mention of the archers taking their shoes off to clamber up the hill, along with that and a chance view of an archer doing just that in the Cowdray House depiction of the Battle of the Solent I had to try a conversion.

Archer stringing his bow, Archer tying his shoe, Archer loosing 

Archers nocking, drawing and loosing



Detail from the 'square fort' in the bottom right of the Cowdray House drawing of the Battle of the Solent 1545

Stanley household retainers / captains of archers in livery jackets

Stanley liveried retainers

The men are reinforced with men raised from Stanley lands by the commissions of array

Here's the whole retinue ready for action, I have mixed them in with some unliveried figures to get the proportions right for liveried and those raised by the commissions of array. I've also added a Stanley livery standard in the rear.


With these now complementing my growing collection It's really satisfying to depict this pincer action by Stanley's men in the closing phase of the battle of Flodden field. Stanley's feint at the front occupies the Scots highlanders as Molyneux' archers come over the crest and begin attacking at their rear.



Discovering the Stanley sponsored account of Flodden has been a real inspiration for me, and along with visiting Assheton’s tomb I now feel I must see that of Molyneaux. One day when budget allows, I’ll have to make the effort to find some of the Scots nobles too. Walking the ground and seeing where nobles and their retainers came from makes this so much more vivid.

I hope this has been an interesting read, I thoroughly enjoyed creating this group of figures and telling a story through my expanding collection.

Sir Edward Stanley's command is now in the painting queue, I considered adding to this post but I think he's worthy of a bit of a biography post so hopefully that will be along in the not too distant future.

I must extend my thanks to Steelfist Miniatures for their support and Tudor dollies along with Matthew Bickley for some last minute support by raiding his bits box and also to David Grummitt for assistance with this writing.

I hope that was an interesting deep dive.

All the best

Stuart



Friday, 27 June 2025

Highland Command

 


Hello there

This is something of a follow up post, some command for the Highland Archer contingent in my Army.

I fully intended to do these straight after but well, that's distraction for you !


All figures bar the charging Kern (Perry Miniatures) are from Antediluvian Miniatures.

The commander and Gallowglass with spear both came with heater shields which I elected to leave aside. The range is intended for an earlier period but luckily for me the armour and dress had little change over time though I believe the shields were not in use by the sixteenth century. 

The figures are really evocative and indeed no doubt inspired by some of the tomb effigies that survive such as this effigy from the mid 16c at Finlaggan.


The Cateran Piper, Gallowglass and Irish Kern all wear the saffron Leine (shirt) of which you can learn a lot more about in this previous post upon Irish Kern.

One of the reasons for the slight delay in this group was how to represent the plaid and trews that the commander wears. I have had very mixed results with plaid (forerunner to tartan) and shelved it for a while but happily help was at hand with a recommendation for this tutorial available for free download from Flags of War.

I had such good fun with it that I gave the piper a plaid mantle.....which was either a stroke of genius or 3 hours i'm never getting back but I do love the results.




I then went down a rabbit hole of researching tartan which was fun once you get past all the Victorian revival. The colours I chose were at random but it seems are typical of the Isle of Lewis in the Hebrides and yellow was also favoured for commanders to stand out.

South of Lewis is the peninsular of Ardnamuchan, part of the lands of clan Macdonald which is what the banner is traditionally associated with.

It is one of two banners captured by Sir William Molyneux, a captain in Sir Edward Stanley's division. Sir William Molyneux is buried in St Helens Church, Sefton and upon his tomb were depictions of the two banners that he captured. 

The ownership of one of the banners he captured has not been established, and the part of the brass representing it has been broken off. However one brass does survive which depicts this banner.


“on a field, gules – ships or galleys, -argent; a falcon rising, or between a stag in his course and a greyhound running, or courant-argent; in the point, the crie-de-guerre or war-cry, clanc tout*”


* 'call all' - let all repair to this pennon.

The banner is I believe mis-described as belonging to Alexander Gordon, 3rd Earl Huntly who survived the battle and whilst Molyneux is credited with capturing his banner, the Heraldic symbols shown here are typical of Macdonald. Perhaps the lost part of the effigy featured the Huntly banner?


MacDonald Coat of Arms

Either way this mis-description does feature in some books on Flodden whilst others also suggest per the above.

There's a really interesting article on Sir William Molyneux here .

In closing, whilst the base represents the highlanders under the joint command of Lennox & Argyll, I wanted to go with a standard that could be used in other games. 

I based the figures in a sort of last stand type composition as a nod to how the banner was captured at Flodden.




Not sure what's next, the Flodden hyper-fixation is still strong though and I think my English forces need a bit of attention, let's see what comes off the painting desk.

Hope that was a fun read

Bye for now

Stuart

Sunday, 15 June 2025

James IV

A most majestic bumper update for you, and a lengthy one at that so go get yourself a cuppa and a biscuit, or perhaps a whisky and shortbread and read my inane ramblings. There's quite a bit, I truly got lost in this and really wanted to do it justice, I hope this is interesting, useful and perhaps inspiring.

Over the last few months I have been working on the command for my Flodden Scots Army of 1513, which is of course, James IV.

Only a small command of 7 figures but something that I had to give my best shot at and do him justice. Reading as much as I could and spending many a night trying to piece things together. Here goes.

We must begin with James IV. His biography is truly something, he really was a Renaissance King in every sense. Wikipedia of course gives a summary which I urge you to read. 

I have a few books that cover him but I must say that whilst the biographies available are voluminous, they are depressingly dry for such an engaging and interesting subject who had an incredibly rich life of forty years.


The figure was converted from a Steelfist Miniatures footknight (pack Ren 28) with added plumes also from Steelfist, conversion on the right hand to take the pike, a gold collar, raised 'haute pieces' and of course the addition of the coat.

On the choice of figure I opted for one in a marching pose and was keen to have a French rather than Maximilian influence in the armour.

The plumes are somewhat ostentatious in hindsight but he’s the King ! As a guide for the coat I used an image from the Triumph of Maximilian depicting Knights on foot for the Tourney – which also features some impressive plumes. Note the slashing on the sleeves and chest. The coat looked huge when I sculpted it and was nearly discarded for a re-run but I pursued and once the whole figure was undercoated in black it was fine.



Inspiration for the collar came from a lesser known 1507 portrait of James IV which features a rather understated regal collar. This is not to be confused with the iron chain he wore in pennance for his involvement in the death of his Father at Sauchieburn. For the figure I used  a cheap bracelet (I have a daughter)


Here's some images prior to painting, I tried my best to gently file off the moustache on the figure as James was clean shaven after his marriage to Margaret having formerly had a huge beard and long hair.

The more I read on him the more I love this man !

It didn't quite work in the end but it's a tiny detail. I also added a bit more detailing on the scabbard. The plumes are two different plume types from Steelfist miniatures, somewhat mimicking a blend of the styles shown in the woodcut above.


In painting James I was keen to ensure he was depicted in a heraldic surcoat as reference to this features in a number of sources.

The Lord High Treasurer’s accounts tell us that the coat was made of satin and cloth of gold (bought in London) with embroidered detailing. Also that his arming doublet was of black satin.

Another source mentioning James' coat is that of a sobering letter from Katherine of Aragon to King Henry VIII on 16 September 1513. This letter detailed the English victory against the Scots at Flodden Field. Henry VIII was on campaign in France, with Katharine Queen Regent in his absence. Along with the letter, she sent a piece of King James IV of Scotland’s coat.

‘My husband, for hastiness, with Rougecross* I could not send your Grace the piece of the King of Scots coat which John Glynn now brings. In this your Grace shall see how I keep my promise, sending you for your banners a king’s coat. I thought to send himself unto you, but our Englishmens’ hearts would not suffer it. It should have been better for him to have been in peace than have this reward. All that God sends is for the best.’

* Rouge Croix Pursuivant, English Herald, so called due to the red cross of St George on the surcoat. In this case referring to Thomas Hawley. He began his career in the royal service as messenger of the chamber for Queen Margaret of Scotland (James’ wife, Henry’s sister) and gained the position of Rouge Croix on 26 August 1509. In this position he was with the Earl of Surrey during the Flodden campaign. When arriving at the Scots camp he was imprisoned by James IV so that he could not reveal the Scots position nor give any detail of their numbers, communication with the English was then carried out by a Scots herald, Islay, who was in turn taken prisoner by the English for the same reason. 

After the battle the King’s body was identified by Sir John Forman (see detail re the standard bearer below) and the Rouge Croix brought the news of James's death, along with the skirts of the king's coat, to Henry and the English Court on campaign in France.

It is interesting to compare sources, Katherine's letter suggests the whole coat was sent however further detail states that it was just the skirt - likely as the chest and sleeves were damaged.

Accompanying James are his beloved musicians.


James’ court included French, Italian, and German musicians including a number of trumpeters who were also used for signals on the march and in the field as is stated in this extract from the Scottish chronicler, Robert Lindsay of Pitscottie.

‘The king gart blaw the trumpitis and sett his men in order of battell. Then the trumpitis blew on evrie sycle and the wangairdis ioyn itt together. Then the Earl Huntlie and Lord Home blew their trumpitis and convenitt their menn agane to their standartis….The Earl Huntlie…. Callit his men together be sloghorne* and sound of trumpit to haue passit to the king.’

*battle cry

In addition to the European musicians at court there were also a number of Africans (believed to have entered Scotland as human booty captured by Scots privateers from Portuguese ships) most notably ‘the ‘More taubronar’ d.1507 who was a drummer and travelling companion to James.


The tabret or tabor drum was used for dances at court and also in the field as in this example from the Schilling Chronicle 1478-83.

The More Taubronar features in the Treasurer’s accounts a number of times, for my interest there are some interesting references with regard to clothing issued to him and the other musicians at court.
Payments were made for scarlet bonnets for the trumpeters along with heraldic banners for their trumpets.

For the More Taubronar a coat was made of camlet fabric woven with black and red threads, with a damask doublet in grey and tanny (tawny), and begarried (striped) hose in December 1503. In December 1505 he was given clothes made from Bruges satin and tanny fabrics, the same costume as the four Italians.  In May 1506 the "More taubronar" was given a yellow coat lined with taffeta ( likely the royal livery) for a special occasion when the king sailed to the Isle of May, a place of pilgrimage in the Firth of Forth.

As I mention above the More Taubronar died in 1507, James was greatly saddened by his passing and provided for his wife and child. I was keen however to represent the Moorish musicians at his court as their presence both predates and is of equal significance to those at Henry VIII's court such as the more well known John Blanke, 'the black trumpeter'.

I made a choice of artistic license to have a larger Swiss war drum, primarily as it lent itself to more easy decoration and particularly as James' army was emulating the Swiss and Landsknechts in the Flodden campaign.

The drum features James' coat of arms, based upon a modern reproduction of the cloth of estate which hangs in Stirling Castle (which is very much worth a visit !). 

Some of the detailing was lost at this scale and slightly obscured by the fastenings but i'm happy with it, the painting magnification visor really came into its own here.


Using the prompts from the Treasurer's accounts I had these men in yellow jackets and red bonnets though note my comment on liveries below.


Here are the figures prior to painting, the bodies are the Tudor dollies from Steelfist miniatures, the trumpeter arms are from the Perry Miniatures War of the Roses infantry set and the drummer arms are from Wargames Atlantic conquistador set. The drummer's head is from the Perry Ansar set and the trumpeters is also from Perry.


At either side of James are his standard bearers.

The flags are from the awesome Flodden range available from Flags of War to which I painted on some further highlights and shading.


First up, Sir Adam Forman, 1470-1513 standard bearer to King James at the battle of Flodden.

The figure is from a Steelfist miniatures Landsknecht command set with a bellows faced sallet head also from Steelfist.

James IV had four banners that were made specifically for the Flodden campaign, two in blue taffeta with painted details for the banner of St Andrew and St Margaret which I have previously explored, and two directly associated to him. One embroidered with the Royal arms and another of ‘four ells of red silk’ which may have featured a saint, another banner of St Andrew or could have been a new Unicorn standard as per those shown in this image from a 1507 book of hours.


As these pre-date the banner mentioned they may / may not have also accompanied his host. I've put a pin in this to return to later as I want to represent these.....i'll just have to add more figures.

At Flodden Forman fell just minutes before James in the final moments of the battle. He had three brothers,
  • Sir John Forman, serjeant porter to the King, captured after Flodden, helped to confirm the identity of the King’s body after it was taken to Berwick.
  • Robert Forman, Dean of Glasgow cathedral
  • Andrew Forman, Diplomat, Archbishop of St Andrews, Bishop of Moray, Archbishop of Bourges (France) In France at the time of Flodden
The next standard is this one also from Flags of War which features his motto 'in defens'. I included this as it helped to frame the command stand.

The figure is a marching Swiss pikeman from Steelfist miniatures with added Tudor head from Perry miniatures.


Sadly Forman is the only named standard bearer associated to James that I could find, we know there were more but they are lost to history. 

Of note there is 'Black' John Skirving of Plewlandhill East Lothian, who carried the 'veritas vincit' (truth prevails) standard of the Earl Marischal who was alongside James. The standard which, thanks to his cunning in concealing it after his capture and imprisonment, still survives in the collection of the faculty of advocates.


Whilst this 'in defens' standard of James IV did not survive the motto does. It is associated with the Scots Royal Arms and was used by James IV. The origins lie in an old Scots prayer, of which there are several versions including:

'In my defence God me defend
And bring my sawl to ane good end
ane vertuous lyf procureth ane happie death...'

And:

'In my defence God me defend
And bring my soul to ane good end
When I am sick and like to die
Father of Heaven have mercy on me.'

Also, in the form of a couplet:

'In my defense God me defend
and bring my saulle to ane guid end O Lord'

Whichever, it is all the more appropriate to represent given James' end.



The last elements of the command are two splendidly armoured gentlemen, these are a nod to James' bodyguard, 'The Archers Guard'.



Both were kitbashed using the Perry Miniatures Mercenaries and Foot Knights sets. In the case of the figure in full plate I cut individual shoulder, elbow and gauntlets to achieve the right pose, it was pretty easy and fun to do, I created a batch of them, hopefully this image helps to show the process a bit more.


Note the pavise on one of the figures, this was a tactic used at Flodden to counter the English longbows,

'the scots were so surely harnessed with complete harness, german jacks, rivets, splents, pavises and other habilements that shot of arrows in regard did them no harm.'

Some of those in the front rank carried 4ft pavises as additional defense against archery. These were supported by a diagonal 'guige' strap for ease of carrying and presenting. It is likely they were discarded when coming to blows.

James IV’s personal bodyguard ‘The Archers’ Guard’ were originally archers from the Forest of Ettrick, also known as ‘The Flowers of the Forest’ after the Battle of Falkirk 1298. 

They were part of a noble elite, sworn to be at the Sovereigns side in times of danger. After the battle, the King’s body was supposedly found surrounded by the bodies of his archers. The Guard had stood firm around their master and like him, had fought to the end. The tradition of the Archers’ Guard was revived in the 17c with the formation of the Royal Company of Archers which still functions to this day as a ceremonial bodyguard in Scotland.

These may have been among those in the front ranks of James’ 15,000 strong division described by the English as

 ‘...... the most assuredly armoured that hath been seen and the tallest and goodliest persons withal.’

Unfortunately, I have not been able to find any detail on them. In fact, I have only found reference to their name in secondary sources and as to whether any livery or weapons were issued, nothing is stated in the Treasurer’s accounts. It may be that these were more a noble elite in an order of some kind as opposed to a formal uniformed bodyguard. For comparison, something akin to Henry VIII's King's Spears rather than his Yeomen of the Guard.

While searching for these I found that livery items are mentioned in the Treasurer’s accounts but only for the King, musicians as above and possibly as passing references to Lion badges. 

Other than that, I can’t find anything further for Royal livery. Of interest there are a lot of references for payments of livery items -curiously by the crown, for liveries of various nobles in various lists as, for example.

'Item for ane pair of hos of carsay – livery of Arche Douglas'

Plain white saltire field signs were many in James’ army, largely as it was without uniform.  Henry’s army was perhaps paramount in the period in organisation and proportion of men in uniform and was commented upon as thus.

Here's the whole command prior to basing.



Quite a special moment once they were based and something i've been anticipating since the start of this army years ago. As the other banners were previously completed I can now represent James' division at Flodden, leading the Flowers 'o the forest of his guard, the court and key members of parliament.




but not quite.......

There's perhaps one more base to add to James' division and i've mentioned it already, William Keith the Earl Marischal with the 'veritas vincit' banner, whose role as protector of the King's person would see him in the thick of the action.

'William' brings me full circle.

Doing a key command such as this for a collection based upon the Flodden campaign was something I put off for a number of years, largely as it's intimidating in a way, but perhaps moreover that i'm a champion procrastinator and at times a self critical perfectionist to the point of inertia.

There was also for a while an absence of suitable figures and knowing very little about James IV and those around him on that fateful day in September 1513 was an obvious barrier too.

Quite a bit is out there as I've summarised above and I suspect my effort here only scratches the surface.

One only needs to jump down the rabbit hole of reading and the internet but sometimes inspiration appears in unexpected forms.

I dedicate this in memoriam to a great Scotsman, James IV would have loved him, my dear 'Uncle Wullie'

Slainte




Bye for now and Happy Father's Day.

Stuart